Mark Anthony Martinez, MFA
Visual Artist \ Curator
b. 1987BFA; Intermedia, Pacific Northwest College of Art, 2012
MFA; Contemporary Art Practices, Portland State University, 2014Based in San Antonio, TX
Upcoming \ Currently On View
On view July 12 through July 26, 2025
INTERLOPER GALLERY, 1906 S. Flores, UNIT B, San Antonio, Texas 78204Opening Reception, July 12, Saturday from 7:00 – 10:00 PM
Open Hours, 1:00 - 4:00 PM Saturday, July 19
Closing Reception, July 26, Saturday from 6:00 – 9:00 PM
---I’m doing crayon drawings for my upcoming show, reflecting on and recontextualizing the media I grew up with. Mostly drawing inspiration from dystopic science fiction, the exhibition contends with consumerism, the military industrial complex and death.
Video Work
A collection of relevant video works and documentation of previous installations. See my Vimeo for more info.
"I'M NOT A COWBOY...," solo exhibition documentation, Clamp Light Artist Studios & Gallery, 2024
“HE GOT IT," 3 minute video excerpt, original video duration 00:14:45”, 2024
“Reverse Manifest Destiny,” video installation, originally created for the group show “IM\MATERIAL CONCERNS\,” 1906, San Antonio.
“Didactic/Musings,” single channel video, originally created for the group show “Not Quite January,” 1906, San Antonio. Runtime 18:42”
“art/worker,” video performance on PVM, created for the group show “ART/WORKER,” curated by Michael Martinez then selected for the curation “Vernacular Systems,” curated by Christopher Blay, 2024
“i did it to myself,” solo exhibition video pile documentation of “the doom scroll,” in the project space JANUARY, 2023.
SPECTRE, single channel video installation, exhibiting in tandem with the classic theatre’s production of “Measure for Measure,” San Antonio, 2023
“Brown Sugar,” A three hour performance neutralizing the radical within the artist; culminating in a “safer” brown hue. Originally performed at Recess, a project space in Portland, OR.
Visual Art Documentation
A portfolio of previously exhibited visual works and documentation of installations. See my instagram or follow me on Blue Sky (links below) for more information on upcoming studio happenings.
are you even..., 2025, install shot, photo credit Carlos Ferrand, 2025
I’M NOT A COWBOY…, install shot, photo credit Carlos Ferrand 2024
PARDON OUR DUST: 21st CENTURY TECHNICAL DIFFICULTIES, assemblage, photo credit Carlos Ferrand, 2024
Still Frame: from single channel video “Didactic/Musings,” 2024
“No New White Friends,” neon art (fabrication credit King of Neon) (c/o Casie Lomeli’s Collection) and “art/worker,” video performance on PVM, as featured at the SA Contemporary for the curation “Vernacular Systems,” curated by Christopher Blay, 2024
“i did it to myself,” solo exhibition installation view at the project space JANUARY, 2023. Photo credit: Luis M Garza, 2023
“i did it to myself,” solo exhibition installation view at the project space JANUARY, 2023. Photo credit: Luis M Garza, 2023
“i did it to myself,” solo exhibition installation view at the project space JANUARY, 2023. Photo credit: Luis M Garza, 2023
Installation View, Acrylic paintings on vinyl on view at Carbon Bloom as a part of the two-person exhibition “A New Shade of Idiosyncrasy,” San Antonio, 2022
"Idyllic Landscape," acrylic on vinyl, Carbon Bloom, San Antonio, Courtesy Daniel Alejandro Gonzalez’ Collection, 2022 (2023)
installation view at FREIGHT gallery & studios, as ft. in the group exhibition "Images of Power," co-curated by Alana Coates, 2018"
"(off) white power," neon courtesy of the "King of Neon", Courtesy Manuel Diz’ collection, 2017
installation view at Mexic-Arte, as featured in the group exhibition “YLA 22: AHORA,” curated by Alana Coates, fabrication credit King of Neon, photo credit Andrea Rampone, 2017
"No New White Friends," as featured in the group exhibition “YLA 22: AHORA,” curated by Alana Coates, at the Mexic-Arte, 2017. Neon fabrication credit King of Neon, photo credit Andrea Rampone, 2017
"Flesh wound," foamboard cut out, featured in the two-person exhibition “Profiling Made Visible,” curated by David S. Rubin at the Bihl Haus Arts, photo credit Luis M. Garza, 2016
"White Out," self portrait digital collage, 2014. Featured in the two-person exhibition “Profiling Made Visible,” curated by David S. Rubin at the Bihl Haus Arts, photo credit Luis M. Garza, 2016
Artist Biography
Mark Anthony Martinez is a conceptual artist and curator based in his hometown of San Antonio, Texas. Martinez holds a BFA in Intermedia Arts from the Pacific Northwest College of Art (2012) and an MFA in Studio Art from Portland State University (2014).His studio practice, has had him exhibit in numerous group shows locally and nationally, including; The Contemporary at Blue Star, San Antonio, TX (2024), Centro de Artes, San Antonio, TX (2020), The Clemente Soto Velez Cultural and Educational Center Inc., New York, NY (2019), The Open as part of the Nicholas Frank Public Library, Milwaukee, Wi. (2017), Mexic-Arte in Austin, TX. (2017) and, Co-Prosperity Sphere, Chicago, Il. (2014). In 2024, Martinez ended the year with his tenth solo exhibition titled “I’m Not A Cowboy,” featured at the Clamp Light Artist Studios & Gallery in San Antonio, Texas.Martinez has served as Visual Arts Director to the Guadalupe Cultural Arts Center (2015-2017), Gallery Manager for the Michael and Noemi Neidorff Art Gallery at Trinity University (2018), co-curator for the experimental pop-up space, Fake Gallery (2019), co-director of the short lived project space entitled JANUARY (2023) and currently co-curator to both INTERLOPER and The S.M.A.R.T. Project Space; respective arts incubators within the "1906 Studio."
Artist Statement
I’m a conceptual artist whose bulk of my practice revolves around my own relation to racial whiteness as a visibly brown individual.Through my art; I employ self-portraiture, text and oblique references to the white body as it exists as a disembodied ideal — challenging the western notion of white as “neutral” as well as the historical violence of assimilation.Although this type of work encompasses a majority of my exhibited artwork, there are other subjects I’m eager to explore. Subjects such as labor, science fiction and ecological conservation. However, these next creative endeavors come with the understanding that all of my work is created from a space that fully recognizes that I am a person of color.